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THIS IS ROBBIE
Polaroids, 2009/2009
VERBS (Sisyphus Envy)
Polaroids, 2008/2009/2009
HUMAN REALITY IS MORE INTRICATE THAN EITHER ONE
Polaroids, 2009/2009/2009
THE USER IS THE FINAL LINK
Polaroids, 2003/2009/2003
THE FLOOD OF IMAGES THAT MAKE UP SO MUCH OF HUMAN LIFE
Polaroids, 2009/2005
THE VIEWER CAN SEE THEM MATERIALIZE
Polaroids, 2007/2009
GIVE OR TAKE EIGHT YEARS
Polaroids, 2005/2009/2009
Polaroids of Annie
Video, color, sound, 2009
Interview with Mike Erickson
INFORMATION:
Artist Beverly Ahern & I chose to collaboratively curate each other’s Polaroid images of recent and past years. These personal Polaroids – in a variety of formats – are arranged in relation to a Polaroid taken of a computer screen glowing with text. The wording on the screen is excerpted from the narrative script to a short film created in 1971 by Charles and Ray Eames (commissioned by Edwin Land for the Polaroid stockholders as “the first tease of the SX-70 system”). This suite of work intends to nod at current and future state of non-tactile image viewing, while at the same time reflecting on the presence that Polaroid images once occupied in our life.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
THIS IS ROBBIE
Polaroids, 2009/2009
VERBS (Sisyphus Envy)
Polaroids, 2008/2009/2009
HUMAN REALITY IS MORE INTRICATE THAN EITHER ONE
Polaroids, 2009/2009/2009
THE USER IS THE FINAL LINK
Polaroids, 2003/2009/2003
THE FLOOD OF IMAGES THAT MAKE UP SO MUCH OF HUMAN LIFE
Polaroids, 2009/2005
THE VIEWER CAN SEE THEM MATERIALIZE
Polaroids, 2007/2009
GIVE OR TAKE EIGHT YEARS
Polaroids, 2005/2009/2009
Polaroids of Annie
Video, color, sound, 2009
Interview with Mike Erickson
INFORMATION:
Artist Beverly Ahern & I chose to collaboratively curate each other’s Polaroid images of recent and past years. These personal Polaroids – in a variety of formats – are arranged in relation to a Polaroid taken of a computer screen glowing with text. The wording on the screen is excerpted from the narrative script to a short film created in 1971 by Charles and Ray Eames (commissioned by Edwin Land for the Polaroid stockholders as “the first tease of the SX-70 system”). This suite of work intends to nod at current and future state of non-tactile image viewing, while at the same time reflecting on the presence that Polaroid images once occupied in our life.